翻訳と辞書
Words near each other
・ Lou language (Austronesian)
・ Lou Legett
・ Lou Lenart
・ Lou Levy
・ Lou Levy (pianist)
・ Lou Levy (publisher)
・ Lou Lewis
・ Lou Liberatore
・ Lou Lichtveld
・ Lou Lieberman
・ Lou Lilly
・ Lou Lim Ieoc Garden
・ Lou Limmer
・ Lou Little
・ Lou Lombardo
Lou Lombardo (filmmaker)
・ LOU LOU
・ Lou Louden
・ Lou Louisell
・ Lou Lowdermilk
・ Lou Lucier
・ Lou Lukanovich
・ Lou Lumenick
・ Lou M. Jacobs
・ Lou Macari
・ Lou Maguolo
・ Lou Mahaffey
・ Lou Mahrt
・ Lou Majaw
・ Lou Maletta


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Lou Lombardo (filmmaker) : ウィキペディア英語版
Lou Lombardo (filmmaker)

Lou Lombardo (1932–2002) was an American filmmaker with credits on more than twenty-five feature films. Noted mainly for his work as a film and television editor, Lombardo also worked as a cameraman, director, and producer. In his obituary, Stephen Prince wrote, "Lou Lombardo's seminal contribution to the history of editing is his work on ''The Wild Bunch'' (1969), directed by Sam Peckinpah. The complex montages of violence that Lombardo created for that film influenced generations of filmmakers and established the modern cinematic textbook for editing violent gun battles."〔 Several critics have remarked on the "strange, elastic quality" of time in the film,〔〔〔 and have discerned the film's influence in the work of directors John Woo, Quentin Tarantino, Kathryn Bigelow, and the Wachowskis, among others.〔〔〔〔 While Lombardo's collaboration with Peckinpah lasted just a few years, his career was intertwined with that of director Robert Altman for more than thirty years. In the 1970s Lombardo edited ''McCabe & Mrs. Miller'' (1971) and several other of Altman's films. Towards the end of his career Lombardo edited ''Moonstruck'' (1987) and two other films directed by Norman Jewison. While his editing is now considered "revolutionary" and "brilliant", Lombardo was never nominated for editing awards during his career.〔〔〔
==Early career==
Lombardo's career began in Kansas City, where he was Robert Altman's cameraman working on training films and "industrials" for the Calvin Company.〔 Altman ultimately became a prominent feature film director. Lombardo and Altman both relocated to Los Angeles in 1956, where Lombardo was employed as a cameraman by Republic Pictures. Lombardo's goal had been to become a director, and he decided that film editing was a more promising path. Lombardo became an apprentice editor at Revue Studios, at about half the salary he'd received as an assistant cameraman. As was common at that time for studio editors, an editing apprenticeship lasted eight years, during which Lombardo's work was uncredited. At the end of this apprenticeship, Robert Altman used Lombardo to edit a pilot program for television. This led to Lombardo's becoming an editor for the television program ''Felony Squad'', which ran from 1966–1970.〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Lou Lombardo (filmmaker)」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.